Rethinking Event Systems and Sustainability in the Arctic - A Design Perspective on the Levi Alpine Ski World Cup

Abstract

This thesis examines how design can improve sustainability and spectator experience at Arctic winter sports events. Using the Levi Alpine Ski World Cup in Finland as a case study, it analyses event operations in environmentally sensitive conditions influenced by climate variability, spatial organization, and infrastructure. The research draws on sustainability and climate resilience theories, supported by strategic design and socio ecological systems thinking. An arts-based action research (ABAR) methodology is used, combining field observation, visual documentation, and spatial analysis. Data collection includes on-site observations, photographs, videos, and informal discussions with event staff and organizers, focusing on mobility systems, spectator areas, accessibility, temporary infrastructure, and material practices.

The findings identify gaps between operational efficiency and broader sustainability and experiential objectives. These include limited spectator visibility and engagement, a lack of immersive experiences, weak community participation, and mobility systems that do not fully support sustainable participation. Although the event is well organized, these gaps indicate missed opportunities for more inclusive and adaptive design strategies. In response, the thesis proposes spatial and systemic design interventions: snow-based spectator terraces to improve visibility using existing materials, reconfigured spectator zoning and circulation for greater clarity and accessibility, and incentive-based ticketing systems to promote sustainable travel. These interventions position design as a means to align environmental responsibility with user experience and participation.

A socio-ecological perspective identifies design as a key driver of more adaptive, inclusive, and sustainable winter sports events. This perspective was further explored through an artistic exhibition at the University of Lapland, Gallery Puoti (7–23 April 2026), which translated the research into visual and spatial formats through site analysis, identified gaps, and proposed interventions.